9.1.07
Eyes of
the Panther wants YOU!
To join
us Saturday, September 15th at 7:00 pm at the Valley Film Festival!
We'll be
showing with a load of other great shorts-- AND you'll have a chance
to vote for Eyes of the Panther! The only way for us to win an award
is by AUDIENCE CHOICE-- so come join us and cast your vote!
Here's where
we'll be:
The El Portal
Theatre
5269 Lankershim Blvd.
North Hollywood, CA 91601
(Street Parking: Plenty)

As long
as you're at The Valley Film Festival, check out these other AWESOME
films by members of the EOTP family:
ABOVE &
BEYOND
(directed
by EOTP's Cinematographer John Matysiak)
Saturday,
Septemember 15th @ 1:30pm
11 MINUTES
AGO (www.11minutesagothemovie.com)
(starring
EOTP's actor/co-producer/co-writer Taryn Reneau)
Sunday,
September 16th, 12:00 Noon.
8.13.07
Check out
photos from Hermosa Shorts Film Festival on the Gallery page!
Thanks to
everyone for coming out -- and thanks to Hermosa (and Tom Kearney!)
for a great festival!
8.9.07
Join the
cast and crew of Eyes of the Panther at the Hermosa Shorts Fest in Hermosa!
We headed out last night for their Festival Kick-Off Party and lots
of fabulous pictures from last night will be coming soon!
We've been
nominated for BEST PICTURE and BEST DIRECTOR so join us for our screening
tonight at 9:30-- it looks like the films we'll be screening are going
to be awesome as well! www.hermosashorts.com. And now... a pretty visual:

8.8.07
You may
have noticed a few new wreaths around here...
Eyes of
the Panther is thrilled to announce that we have been selected to screen
at these awesome film festivals:
LA SHORTS
FEST
September
5-17, 2007
www.lashortsfest.com

VALLEY FILM
FESTIVAL
September
12-16, 2007
www.valleyfilmfest.com

VISIONFEST
2007
September
19-23, 2007
www.visionfest.com

A MILLION
THANKS TO EVERYONE WHO MAKES THESE FESTIVALS POSSIBLE. And an extra
thanks to the ones who liked our film!
10.9.06
FILM THREAT
REVIEW
www.filmthreat.com
THE EYES OF THE PANTHER
by David W. Smith
(2006-10-09)
2006, Un-rated, 20 minutes
One of the cool things about living in LA and being a film geek, and
living and moving among them, is that you get to see things before everyone
else sees them. Even before they hit You Tube, a cool little short might
cross my path and I’ll get the first chance to tell everyone how
cool it is. That happened again recently with a short film called “The
Eyes of the Panther,” based on the Ambrose Bierce (yeah, an actual
writer from the early 20th century) short story of the same name, this
little film attempts to bring the recently lost idea of “story”
and “character” back to the short film. Director Michael
Barton and co-writer Taryn Reneau (who also gives a strong performance
in the film) are here to remind us that the short story as film is still
a viable art form. Not every damn short has to be a gimmicky and effects-laden
“calling card” for some computer-whiz college student. How
about an interesting story once in a while, huh? Well, Barton and Reneau
just handed us one.
The story takes place in mid-1800s America and begins with the rejection
of a marriage proposal. The woman claims she is insane and therefore
cannot marry her suitor. When pressed for clarification, the haunting
story unfolds mostly through flashback, of the girl’s parents,
and about her birth, and about a strange occurrence involving a black
panther that seems to be more than just an animal.
The budget was not large for this film, but the producers seemed to
have put it all on the screen, it really has the look of a classy little
horror picture, and it has a very nice film look although it was shot
digitally. The performances are quite good all around. Barton chose
to cast theater actors whose handling of period dialog adds much to
the texture of the story. The film is quite short, at around 20 minutes,
which is much shorter than the hour-long made-for-TV version from 1990
featuring C. Thomas Howell and Daphne Zuniga; this previous version
is not well liked, and I can only assume that viewers familiar with
it would probably find Barton’s version more interesting and satisfying.
The ending might require a bit of discussion, it’s not spelled
out for the viewer, and sometimes that’s kinda fun. Frankly I’d
like to see this film pop on the Sundance Channel or IFC where it can
be seen by more people, I’ll keep my fingers crossed.